XII The Nineteenth Century: The Romantic Period
Identifieur interne : 000917 ( Main/Exploration ); précédent : 000916; suivant : 000918XII The Nineteenth Century: The Romantic Period
Auteurs : Emma Mason ; Steve Clark ; Seamus Perry ; Philip Martin ; Leonora Nattrass ; Amanda Gilroy ; W. M. Verhoeven ; Amy M. MuseSource :
- The Year's Work in English Studies [ 0084-4144 ] ; 2001.
Descripteurs français
- Wicri :
- topic : Athéisme, Bibliographie, Droit d'auteur, Identité nationale, Traumatisme.
English descriptors
- KwdEn :
- Abrams, Aesthetic statism, Aesthetics, Alan rawes, Ancient mariner, Anna laetitia barbauld, Anne janowitz, Anne mellor, Annotation, Apocalypse, Atheism, Austen, Baillie, Barbauld, Barrett, Behrendt, Bennett, Bewell, Bibliography, Blain, Blake, Blake criticism, Bowles, British culture, British literature, British women playwrights, Burkean, Caleb williams, Canonical, Caroline, Caroline bowles southey, Charles lamb, Charlotte smith, Childe harold, Clare, Cobbett, Colb, Coleridge, Coleridgean, Colonial disease, Copyright, Critical readings, Critical reception, Critique, Cultural politics, Cultural production, Dart, David bindman, David chandler, Edgeworth, Eighteenth century, Elegiac sonnets, Elfenbein, Emily, English romanticism, Enlightenment, Epistolary fiction, Essay, Essick, Exemplary, Fearful symmetry, Feldman, Felicia, Felicia hemans, Female desire, Feminism, Feminist, Fiona robertson, First part, First time, First volume, French revolution, Fulford, Gender, Gender politics, Genre, George eliot, Georgic, Gothic, Gothic novel, Graeme stones, Hannah, Hazlitt, Helen maria williams, Hemans, Historical moment, Hobson, Invisible hand, Isbn, Jane austen, Jasper, Jerome mcgann, Joanna, Joanna baillie, John clare, John strachan, Keats, Kurt fosso, Laetitia, Laetitia landon, Larrissy, Last poems, Late victorian, Lesbian, Liber amoris, Linkin, Literary criticism, Literary history, Locke, Lyrical ballads, Macmillan, Marginalia, Maria edgeworth, Marilyn, Marilyn butler, Mariner, Martin priestman, Mary lamb, Mary robinson, Mary shelley, Mary wollstonecraft, Masculinity, Materialist, Mccann, Mcgann, Millennium, National identity, Nineteenth century, Nineteenthcentury, Northanger abbey, Other poems, Other writers, Oxford companion, Paley, Parody, Patriarchal, Places wordsworth, Poetess, Poetical, Political economy, Postmodern, Postmodernism, Priestman, Print culture, Public sphere, Quincey, Radcliffe, Radical politics, Regency, Rhetorical, Robert southey, Romantic, Romantic agony, Romantic atheism, Romantic aversions, Romantic culture, Romantic drama, Romantic england, Romantic genius, Romantic literature, Romantic period, Romantic poetry, Romantic studies, Romantic theatre, Romanticism, Samuel taylor coleridge, Sappho, Significant contribution, Simple story, Sonnet, Southey, Special edition, Spectre, Strachan, Subjectivity, Sublime, Textual, Thomas chatterton, Tintern, Tintern abbey, Trauma, Trope, Tsll, Twentieth century, Virginia blain, Visionary, Visionary moments, Walter scott, William blake, William godwin, William wordsworth, Wollstonecraft, Woman writer, Women playwrights, Women poets, Women writers, Wordsworth, Wordsworthian, Xiii, Yellow fever.
- Teeft :
- Abrams, Aesthetic statism, Aesthetics, Alan rawes, Ancient mariner, Anna laetitia barbauld, Anne janowitz, Anne mellor, Annotation, Apocalypse, Atheism, Austen, Baillie, Barbauld, Barrett, Behrendt, Bennett, Bewell, Bibliography, Blain, Blake, Blake criticism, Bowles, British culture, British literature, British women playwrights, Burkean, Caleb williams, Canonical, Caroline, Caroline bowles southey, Charles lamb, Charlotte smith, Childe harold, Clare, Cobbett, Colb, Coleridge, Coleridgean, Colonial disease, Copyright, Critical readings, Critical reception, Critique, Cultural politics, Cultural production, Dart, David bindman, David chandler, Edgeworth, Eighteenth century, Elegiac sonnets, Elfenbein, Emily, English romanticism, Enlightenment, Epistolary fiction, Essay, Essick, Exemplary, Fearful symmetry, Feldman, Felicia, Felicia hemans, Female desire, Feminism, Feminist, Fiona robertson, First part, First time, First volume, French revolution, Fulford, Gender, Gender politics, Genre, George eliot, Georgic, Gothic, Gothic novel, Graeme stones, Hannah, Hazlitt, Helen maria williams, Hemans, Historical moment, Hobson, Invisible hand, Isbn, Jane austen, Jasper, Jerome mcgann, Joanna, Joanna baillie, John clare, John strachan, Keats, Kurt fosso, Laetitia, Laetitia landon, Larrissy, Last poems, Late victorian, Lesbian, Liber amoris, Linkin, Literary criticism, Literary history, Locke, Lyrical ballads, Macmillan, Marginalia, Maria edgeworth, Marilyn, Marilyn butler, Mariner, Martin priestman, Mary lamb, Mary robinson, Mary shelley, Mary wollstonecraft, Masculinity, Materialist, Mccann, Mcgann, Millennium, National identity, Nineteenth century, Nineteenthcentury, Northanger abbey, Other poems, Other writers, Oxford companion, Paley, Parody, Patriarchal, Places wordsworth, Poetess, Poetical, Political economy, Postmodern, Postmodernism, Priestman, Print culture, Public sphere, Quincey, Radcliffe, Radical politics, Regency, Rhetorical, Robert southey, Romantic, Romantic agony, Romantic atheism, Romantic aversions, Romantic culture, Romantic drama, Romantic england, Romantic genius, Romantic literature, Romantic period, Romantic poetry, Romantic studies, Romantic theatre, Romanticism, Samuel taylor coleridge, Sappho, Significant contribution, Simple story, Sonnet, Southey, Special edition, Spectre, Strachan, Subjectivity, Sublime, Textual, Thomas chatterton, Tintern, Tintern abbey, Trauma, Trope, Tsll, Twentieth century, Virginia blain, Visionary, Visionary moments, Walter scott, William blake, William godwin, William wordsworth, Wollstonecraft, Woman writer, Women playwrights, Women poets, Women writers, Wordsworth, Wordsworthian, Xiii, Yellow fever.
Abstract
This chapter has five sections: 1. General; 2. Poetry; 3. Prose Non-Fiction; 4. Fiction; 5. Drama. Sections 1 and 2(d) are by Emma Mason; section 2(a) is by Steve Clark, section 2(b) is by Seamus Perry, section 2(c) is by Philip Martin; section 3 is by Leonora Nattrass; section 4 is by Amanda Gilroy and W.M. Verhoeven; section 5 is by Amy Muse.
Url:
DOI: 10.1093/ywes/mae012
Affiliations:
Links toward previous steps (curation, corpus...)
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Le document en format XML
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<term>Aesthetics</term>
<term>Alan rawes</term>
<term>Ancient mariner</term>
<term>Anna laetitia barbauld</term>
<term>Anne janowitz</term>
<term>Anne mellor</term>
<term>Annotation</term>
<term>Apocalypse</term>
<term>Atheism</term>
<term>Austen</term>
<term>Baillie</term>
<term>Barbauld</term>
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<term>Behrendt</term>
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<term>Blain</term>
<term>Blake</term>
<term>Blake criticism</term>
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<term>British literature</term>
<term>British women playwrights</term>
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<term>Aesthetics</term>
<term>Alan rawes</term>
<term>Ancient mariner</term>
<term>Anna laetitia barbauld</term>
<term>Anne janowitz</term>
<term>Anne mellor</term>
<term>Annotation</term>
<term>Apocalypse</term>
<term>Atheism</term>
<term>Austen</term>
<term>Baillie</term>
<term>Barbauld</term>
<term>Barrett</term>
<term>Behrendt</term>
<term>Bennett</term>
<term>Bewell</term>
<term>Bibliography</term>
<term>Blain</term>
<term>Blake</term>
<term>Blake criticism</term>
<term>Bowles</term>
<term>British culture</term>
<term>British literature</term>
<term>British women playwrights</term>
<term>Burkean</term>
<term>Caleb williams</term>
<term>Canonical</term>
<term>Caroline</term>
<term>Caroline bowles southey</term>
<term>Charles lamb</term>
<term>Charlotte smith</term>
<term>Childe harold</term>
<term>Clare</term>
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<term>David bindman</term>
<term>David chandler</term>
<term>Edgeworth</term>
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<term>Elfenbein</term>
<term>Emily</term>
<term>English romanticism</term>
<term>Enlightenment</term>
<term>Epistolary fiction</term>
<term>Essay</term>
<term>Essick</term>
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<term>Felicia</term>
<term>Felicia hemans</term>
<term>Female desire</term>
<term>Feminism</term>
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<term>First time</term>
<term>First volume</term>
<term>French revolution</term>
<term>Fulford</term>
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<term>Gender politics</term>
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<term>Graeme stones</term>
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<term>Hazlitt</term>
<term>Helen maria williams</term>
<term>Hemans</term>
<term>Historical moment</term>
<term>Hobson</term>
<term>Invisible hand</term>
<term>Isbn</term>
<term>Jane austen</term>
<term>Jasper</term>
<term>Jerome mcgann</term>
<term>Joanna</term>
<term>Joanna baillie</term>
<term>John clare</term>
<term>John strachan</term>
<term>Keats</term>
<term>Kurt fosso</term>
<term>Laetitia</term>
<term>Laetitia landon</term>
<term>Larrissy</term>
<term>Last poems</term>
<term>Late victorian</term>
<term>Lesbian</term>
<term>Liber amoris</term>
<term>Linkin</term>
<term>Literary criticism</term>
<term>Literary history</term>
<term>Locke</term>
<term>Lyrical ballads</term>
<term>Macmillan</term>
<term>Marginalia</term>
<term>Maria edgeworth</term>
<term>Marilyn</term>
<term>Marilyn butler</term>
<term>Mariner</term>
<term>Martin priestman</term>
<term>Mary lamb</term>
<term>Mary robinson</term>
<term>Mary shelley</term>
<term>Mary wollstonecraft</term>
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<term>Materialist</term>
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<term>National identity</term>
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<term>Nineteenthcentury</term>
<term>Northanger abbey</term>
<term>Other poems</term>
<term>Other writers</term>
<term>Oxford companion</term>
<term>Paley</term>
<term>Parody</term>
<term>Patriarchal</term>
<term>Places wordsworth</term>
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<term>Public sphere</term>
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<term>Radical politics</term>
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<term>Rhetorical</term>
<term>Robert southey</term>
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<term>Romantic agony</term>
<term>Romantic atheism</term>
<term>Romantic aversions</term>
<term>Romantic culture</term>
<term>Romantic drama</term>
<term>Romantic england</term>
<term>Romantic genius</term>
<term>Romantic literature</term>
<term>Romantic period</term>
<term>Romantic poetry</term>
<term>Romantic studies</term>
<term>Romantic theatre</term>
<term>Romanticism</term>
<term>Samuel taylor coleridge</term>
<term>Sappho</term>
<term>Significant contribution</term>
<term>Simple story</term>
<term>Sonnet</term>
<term>Southey</term>
<term>Special edition</term>
<term>Spectre</term>
<term>Strachan</term>
<term>Subjectivity</term>
<term>Sublime</term>
<term>Textual</term>
<term>Thomas chatterton</term>
<term>Tintern</term>
<term>Tintern abbey</term>
<term>Trauma</term>
<term>Trope</term>
<term>Tsll</term>
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<term>Visionary moments</term>
<term>Walter scott</term>
<term>William blake</term>
<term>William godwin</term>
<term>William wordsworth</term>
<term>Wollstonecraft</term>
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<term>Women playwrights</term>
<term>Women poets</term>
<term>Women writers</term>
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<front><div type="abstract" xml:lang="en">This chapter has five sections: 1. General; 2. Poetry; 3. Prose Non-Fiction; 4. Fiction; 5. Drama. Sections 1 and 2(d) are by Emma Mason; section 2(a) is by Steve Clark, section 2(b) is by Seamus Perry, section 2(c) is by Philip Martin; section 3 is by Leonora Nattrass; section 4 is by Amanda Gilroy and W.M. Verhoeven; section 5 is by Amy Muse.</div>
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<tree><noCountry><name sortKey="Clark, Steve" sort="Clark, Steve" uniqKey="Clark S" first="Steve" last="Clark">Steve Clark</name>
<name sortKey="Gilroy, Amanda" sort="Gilroy, Amanda" uniqKey="Gilroy A" first="Amanda" last="Gilroy">Amanda Gilroy</name>
<name sortKey="Martin, Philip" sort="Martin, Philip" uniqKey="Martin P" first="Philip" last="Martin">Philip Martin</name>
<name sortKey="Mason, Emma" sort="Mason, Emma" uniqKey="Mason E" first="Emma" last="Mason">Emma Mason</name>
<name sortKey="Muse, Amy M" sort="Muse, Amy M" uniqKey="Muse A" first="Amy M." last="Muse">Amy M. Muse</name>
<name sortKey="Nattrass, Leonora" sort="Nattrass, Leonora" uniqKey="Nattrass L" first="Leonora" last="Nattrass">Leonora Nattrass</name>
<name sortKey="Perry, Seamus" sort="Perry, Seamus" uniqKey="Perry S" first="Seamus" last="Perry">Seamus Perry</name>
<name sortKey="Verhoeven, W M" sort="Verhoeven, W M" uniqKey="Verhoeven W" first="W. M." last="Verhoeven">W. M. Verhoeven</name>
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